20202020Hamlet, the HungarianLászló Ablonczy2020Egy európai Kolozsváron: Harag György színházrendezőLászló Ablonczy
20142014“Church, Parliament, Rack: So Many Stages” – With State Protection Authority (ÁVH) Informers – New-Millennium Reflections, Notes, ConversationsLászló Ablonczy
20132013Imre Sinkovits in the Harghita Mountains – Fragments from Half a Century of the National Theatre’s 175 YearsLászló Ablonczy
20122012Old-Fashioned Theatre History – With State Protection Authority (ÁVH) Files… – and with Raksányi’s DogLászló Ablonczy
20072007National Soul Bell – From Mari Jászai to István Bubik: Twentieth-Century Actor Portraits, Writings on Theatre HistoryLászló Ablonczy
20032003In Béla Bartók’s Garden – From Marosszentimre to Paris: Studies, Conversations, NotesLászló Ablonczy
20202020Hamlet, the HungarianLászló Ablonczy2020Egy európai Kolozsváron: Harag György színházrendezőLászló Ablonczy
20142014“Church, Parliament, Rack: So Many Stages” – With State Protection Authority (ÁVH) Informers – New-Millennium Reflections, Notes, ConversationsLászló Ablonczy
20132013Imre Sinkovits in the Harghita Mountains – Fragments from Half a Century of the National Theatre’s 175 YearsLászló Ablonczy
20122012Old-Fashioned Theatre History – With State Protection Authority (ÁVH) Files… – and with Raksányi’s DogLászló Ablonczy
20072007National Soul Bell – From Mari Jászai to István Bubik: Twentieth-Century Actor Portraits, Writings on Theatre HistoryLászló Ablonczy
20032003In Béla Bartók’s Garden – From Marosszentimre to Paris: Studies, Conversations, NotesLászló Ablonczy
